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State of the art

Exploring Roppongi and Tennozu, two of Tokyo's artsiest neighbourhoods

Nosotros know it's hard to believe, but Roppongi, Tokyo's glitzy underbelly of pricey booze, sleazy clubs and bazaar shopping, lives a double life as the city's art hub. The upper-case letter'southward most famous amusement commune, one time known every bit 'High Bear upon Town', prides itself on an impressive array of small galleries and big museums – the cultural legacy of gentrification efforts over the last decade.

Further southeast, Tennozu Isle is no stranger to the art, or artifice, of transformation from the bottom upwardly either. In fact, the artificial island was literally dredged up from the depths of Tokyo Bay during the 1920s and '30s. Recently, extensive waterfront planning has seen the hitherto quiet warehouse district re-emerge every bit a be-muraled town dotted with canalside cafés, high-ascent office buildings, hip hotels and art galleries.

Roppongi

This yr, Roppongi'south art cred was raised to new heights with the opening of the Complex665 building (6-5-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The building sits on a residential dorsum street tucked away from the hustle and bustle of Roppongi, but is hard to miss cheers to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 by artist Yoshihisa Tanaka, who imagined how a 'fictional creative person named 665 might sign their own piece of work'.

A major player in Tokyo's contemporary art scene, Tomio Koyama Gallery moved into the second flooring of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to design their new two-room exhibition infinite. They correspond an impressive roster of artists in Nihon, including wunderkind photographer Ryan McGinley, American postal service-minimalist Richard Tuttle and Yoko Ono.

Also on the second floor is ShugoArts, who have championed the avant-garde of Japanese fine art since the mid-'80s. Their gallery was designed by architect Jun Aoki, likewise responsible for facelifting the façade of the Louis Vuitton building in Ginza. Different their flatmates, ShugoArts keep the shop open on Sundays.

Calling dibs on the top bunk are Taka Ishii Gallery, who stand for heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Demand. Furniture and interior design gurus Broadbean, whose offices occupy the ground floor, were enlisted to design the sleek gallery space on the third floor, which wonderfully feeds off natural light coming in from the plant terrace.

If you've enjoyed killing a whole flock of birds with ane stone, so head over to the Piramide Building (6-6-9 Roppongi, Minato-ku), which is another bang-up example of the tried-and-tested 'ability in numbers' model of fine art collectives. Leading galleries Ota Fine Arts and Wako Works of Art are amidst its famous tenants.

Rising above the rest both in superlative and, arguably, in might, the 238-metre Roppongi Hills Mori Tower is domicile to the Mori Art Museum, which holds some of Tokyo's nigh ambitious and influential exhibitions. A retrospective defended to the Indian artist N South Harsha will be unveiled in Feb 2017.

The abstraction of fashion (and fragrance) designer Issey Miyake and fellow design greats Taku Satoh and Naoto Fukasawa, 21_21 Design Sight more than than underscores Roppongi'south part as the focal point of Tokyo'due south fine art scene. The common focus of their ever-changing lineup of exhibitions is interdisciplinary design.

The National Art Eye (NACT), designed past Kisho Kurokawa of Nakagin Capsule Tower fame, boasts the largest exhibition infinite of any museum in Japan. Unlike most of its counterparts, NACT is an 'empty museum', which means it does non accept a permanent collection, instead choosing to commission ane-off exhibitions – their Monet bear witness was the 2nd almost visited exhibition in the globe in 2007.

Located in Tokyo Midtown and designed by renowned architect Kengo Kuma, the Suntory Museum of Fine art possesses the biggest collection of Japanese arts and crafts in the country, comprised of a whopping 3,000-plus objects. Their tea ceremonies, staged on the sixth floor every 2nd Thursday, are a must do.

And for the 'Peanuts' fans out there, Roppongi has a Snoopy Museum, showcasing Charles M Schulz'due south original drawings and art for the honey series. A number of the cartoonist'southward early works, vintage collectibles and other materials are besides on display.

Tennozu Isle

Backed by the Terrada warehouse visitor, which does far more than than just stock Tokyoites' leftover belongings, Tennozu's new Archi-Depot museum displays a whopping 116 architectural models by Japanese starchitects, including works by Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both real buildings and unrealised projects – gleam like miniature cabinets of curiosities. Later on paying a visit to Archi-Depot, you're sure to walk away with a renewed appreciation for Tokyo's beautiful buildings, ofttimes overlooked in the relentless hustle and bustle of our dear city.

Just a stone'due south throw away from Archi-Depot lies the hitting art supplies 'laboratory' Pigment, designed by Kuma and inspired by the look and experience of bamboo. It stocks more than four,500 color pigments, 50 kinds of animal glues, and a number of top-quality traditional painting tools including over 200 antique ink sticks. The staff are all well-versed in the intricacies of the products and are happy to show you how to use them.

Taking a cue from their comrades over in Roppongi, four contemporary art galleries recently decided to nestle against each other on the third floor of the Terrada Art Complex. The quartet is comprised of Kodama Gallery, who are getting gear up for a solo show by Japanese artist Gaëtan Kubo opening January fourteen; Urano, representing domestic talents such as Takahiro Iwasaki, who will be flying the flag for Japan at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra among their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest yous forget your surrounds, the galleries are located within a fully operating warehouse and are simply accessible by a service elevator.

As the former and current residents of neighbourhoods like London'due south Shoreditch and New York'south Brooklyn will tell yous, gentrification is a double-edged sword that tears through the old to brand way for the new. Whichever side of the third moving ridge café/local caff divide y'all're on, the number and density of art galleries is often a skilful litmus test for how far a neighbourhood has come down the line. Less than half an hour apart, Roppongi and Tennozu Island offering two different cases to study for those interested in the sociocultural effects of Tokyo's urban planning. Or yous could just await at the fine art.

Terrada's main warehouse (ii-vi-10 Higashi-Shinagawa, Shinagawa-ku) is holding an exhibition on David Bowie from Jan 8 to Apr 9 – exist certain to get your tickets in accelerate.

Find more galleries in Roppongi

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Source: https://www.timeout.com/tokyo/art/state-of-the-art

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